Six Siblings Celebrating

This past weekend I witnessed a remarkable thing in Kansas City. My college roommate and her five siblings have made a habit of gathering together to celebrate every time one of them turns 60, and it was Dina’s turn. They came from their homes in Kansas, New York, Arkansas and Kentucky and spent several days together talking, laughing, exploring the area, enjoying each other’s company. I was invited to join the party and marveled at this group, posing here in front of a Monet at the Nelson-Atkins Museum of Art.

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Kansas City is Dina’s backyard, so she chose the activities, restaurants and agenda. Our excursion at this highly impressive museum had something for everyone. The entrance hall alone gives you some idea of its grandeur.

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I did not expect the exquisite marble interior!

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Or the mummy of Ka-i-nefer.

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Or the mummy mask of Meret-it-es.

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Or works by Degas.

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Or Renoir.

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Or Hieronymus Bosch.

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Or parts of a medieval cloister.

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Or a giant shuttlecock! This one is 18 feet tall – way taller than it looks in this photo. I am standing on a tall ledge.

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But as absolutely remarkable as everything in the museum was (and I am showing only a fraction of what we saw), it didn’t hold a candle, in my estimation, to how remarkable these six siblings are, shown here after the birthday dinner at Cascone’s.

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And here with spouses against the nighttime Kansas City skyline.

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These wonderful people find a way to come together several times a year. They get along, overlook their differences, forgive each other their occasional bumbles, express interest in each other’s separate worlds and not only maintain familial ties, but also have fun and build new memories. The days together included meals of course (this was one breakfast – Dina the Birthday Girl is in pink),

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and time in the hotel’s hot tub, time for naps, time for a jigsaw puzzle, time for telling stories, time for touring special homes (Fred and Dina in front of this 25-room Victorian mansion called the Cray Museum in Atchinson, Kansas),

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and time for Dina’s birthday cake.

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I asked some of them how they manage it, how they are still smiling after the loss of both mother and father, how they navigate diverse political affiliations and life choices, how the physical distances between their homes mean almost nothing – indeed how this many very strong individuals can be so (overall) very agreeable when they get together. The answers were expressed differently, but boiled down to the same thing: mutual respect. No one tries to lord it over anyone else or tell anyone else what they should do or how to think.

I watched and saw numerous examples. They waited patiently while one or more (I won’t say who!) took longer getting through the museum exhibits, even if the rest were ready to get going. Later they all stood outside for a while around that fire pit (in the skyline photo above) even though it was kinda, sorta, yeah quite cold (!) out there – because some wanted to. I watched them give each other room to be individuals, to have different opinions and different preferences. I watched them consistently practice the I Cor. 13:4-5 kind of love that is patient and kind, that does not envy, does not boast, that is not proud, nor dishonoring of others, nor self-seeking, nor easily angered, that keeps no record of wrongs. “Consistently” is a key word here.

I watched Six Siblings Celebrating (try saying that six times fast!!).  When in the future, in another location, they come together again, I have no doubt it will be just as pleasant, enjoyable and meaningful an occasion as this one was. I hope they know what a beautiful group they are, what a wonderful model for their children and friends and others, and how honored and delighted I myself was to have been a part of their amazing circle for a few days.

The Batmobile on a Road Trip

I can’t say I ever gave too much thought to ornamenting a tire. Tires have always been purely functional for me. They turn. When they do, the heavy vehicles they carry move from Point A to Point B. You can have the fanciest engine in the world, but without tires, the vehicle’s not going anywhere.

Hubcaps are tire ornaments. They have many different circular designs, like simplified versions of the fantastical views you get inside a kaleidoscope. But the Batmobile doesn’t have a fancy hubcap. It has a tire ornament like no other tire ornament.

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If I was the Batmobile and was moved to a new place of display, I would definitely not say, “Here we go again. A bunch more fools are coming to look at me: ‘Oh, look! The Batmobile!’ they say. ‘I remember the Batmobile!’ Yeah, so what! You think I asked for this look?”

Such disdain is so unbecoming. I imagine the Batmobile instead in a rather humble strut, if this is not too much a contradiction of terms. Its look is super cool. “Oh boy, here they come,” it says gleefully to itself. “More admirers! I love admirers! Look at me, look at my tires, look at my sleekness, my gleam, my cool windshields! I don’t have to try very hard, you know, I just am this beautiful!”

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People like me say “Oh, look! The Batmobile!” because you don’t see the Batmobile every day and because somebody had a lot of fun thinking of how to ornament it!

Samuel and I didn’t plan to see it. We planned to float around downtown Roanoke, Virginia, exploring this small southern city, getting a feel for its character, its energy, its good people working hard to make it a great place to live. We strolled through the city marketplace, got a generously large “small” ice cream cone at Bayou Snowballs, ate a fabulous wagyu burger at Jack Brown’s Beer and Burger Joint (where they do not serve burgers with lettuce and tomato, btw) and watched the proprietor of La De Da make a candy dress (yes, a candy dress – I will come back to this).

But then it started raining and was only 3pm. It was a cold icky rain. The observatory at the top floor of the science museum was closed for a private event, so Samuel suggested we go to the top of the parking garage and look at the city. For this we got the umbrella from the car and went up five levels. Other than struggling with our umbrella hilariously turning inside out more than once on account of the wind (umbrellas really do this!), we got a nice view. St. Andrew’s is an especially handsome church.

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You can see how dreary the weather was, but this church! Captivating. Gorgeous. If you get the chance, go see its glorious vaulted ceilings, perfect hanging light fixtures and polished marble floors, all in pristine condition. We did. See if you don’t think it rivals European churches. We do.

But we still had time and it was still raining. The Virginia Transportation Museum had been suggested to us. Okay, sure, let’s go there. The Transportation Museum has a railyard containing many old but beautiful locomotives. This too is fantastic to see.

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Here we are just in front of the railyard. There are lots of wonderful exhibits in this museum calling attention to not only the engines themselves, but also the workforce that made the railroad industry possible, its marching band, its women’s auxiliary and the way trains changed the lives of people. All good, all very well done.

We wandered in the museum the way people wander. Wandering is good sometimes. It gets you to places you did not expect, like the car exhibit. Samuel loves cars – their design, their speed – he is enthralled, way more enthralled than I am. I have generally looked at cars as a thing that transports you quickly and conveniently. It doesn’t matter much what it looks like as long as it does its job.

Stop cringing, you car lovers! I know! How can I not appreciate the graceful lines of the body, the intricacies of the motor that enhance performance, the purr, the roar? I know. Give me time. I might get there. I might be a little closer after seeing this exhibit. I might have to appreciate cars a little more after seeing the Batmobile in person.

As we entered the car bay and saw the 20 or 30 cars lined up on display, I thought Cars, a means of transportation. Of course the Transportation Museum has a car display. I can look at cars. Note my enthusiasm.

But then a museum staff member did a wise thing. He told us, in words, out loud, that the owner of a number of famous movie cars had lent his collection to the museum for a short while, a month or so, and we might enjoy seeing them. Museums use a lot of signage, and this is good, but I don’t know it we would have ventured to the far side of this huge bay had he not spoken to us directly. It was the end of the day. We had seen the trains, marveled at the trains. Enough, right?

I soon changed my mind.

Who doesn’t love Back to the Future? Here was the DeLorean! The 1981 DeLorean DMC-12! “The way I see it, if you’re going to build a time machine into a car, why not do it with style?”  Only 8987 of these cars were produced.

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They had the ambulance from Ghostbusters.

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They had the 1950 Mercury Monterey driven by Sylvester Stallone in the 1986 movie Cobra, a muscle car if ever there was one.

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I loved its license plate.

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We saw “Boss Hogg,” the 1976 Cadillac Eldorado convertible, driven by Burt Reynolds in The Dukes of Hazzard, a 2005 film also starring A.J. Foyt IV, Willie Nelson and Lynda Carter. It is one of the last automobiles driven by Reynolds in a feature film.

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Check out the car handle.

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And yes, it has the horns up front!

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Who can’t smile looking at the 1974 Ford Gran Torino “Striped Tomato” from the Starsky & Hutch TV show?

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Or stare incredulously at one of the two 1970 Dodge Chargers that survived without damage from Fast and Furious?

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If I owned the Batmobile, the DeLorean and all these cars, I would send them on a road trip too. A change of scenery does us all good. Their road trip did me good! Beyond making me smile, they reminded me that humans have a creative, fun side, yet are incredibly capable of taking an idea and making it a reality. These are just cars, but what cars! Immortalized cars! (Did I really type that!?)

There’s hope yet, Samuel. Cars are cooler to me than they were two days ago.

Half a Piece of Pie

In the past few months, at least two new pie shops have opened in Charlottesville. There’s something about a good piece of pie, and everyone has their favorite. Or do they? Is cherry better than apple better than blueberry better than key lime? Oh, better than pumpkin?? I had to make a decision today at Quality Pie.

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This pie shop’s selection includes the basics. I looked in the glass case and asked the nice young man to tell me about the cherry pie. “Bing cherries,” he said, “that’s all I know.” Okay, fair enough. I like bing cherries. How about the crust? “All butter,” he said, “unless it’s for one of the savory pies. Then I think they use lard.” All butter works for me.

Their prices were decent too.

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I make pie myself. I love to make pie. But when cherries come into season, I do not think of making a pie with them because they are so good all by themselves. So, yes, the cherry pie called my name. It was wonderful. Hat’s off to the baker at Quality Pie.

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One bite into my very delicious piece of pie, I remembered another piece – half a piece – that made a great impression on me. This half piece came from a pie I made myself when I was still in college at Rutgers University (Douglass College back then, a part of Rutgers). I was living in a small apartment and invited a friend to come for dinner. I don’t remember what I made for the main part of the meal, but for dessert there was pie.

It was good pie. You’ll have to take my word. I served Penelope her piece and served myself as well, and we kept on talking, having a lovely time. Then something remarkable happened. When she was halfway done with her piece of pie, I mean when there was half a piece of pie still on her plate, she put her fork down.

She put her fork down and did not pick it back up again.

I was 20 years old and confronted with something new. Who doesn’t finish a piece of pie?

We kept talking and I tried to ignore this bizarre turn of events. Eventually I couldn’t stand it anymore. I turned into my mother and said, “Is something wrong with the pie?”

She looked me straight in the eye and said, “No, it’s good. I’m just full.”

If she had stood on her head or told me she would turn into an alien if she ate another bite, I could not have been more surprised. Full? I thought. Full? Sure… but… too full to finish a piece of pie?

“Oh, okay, just making sure,” was all I said about it.

Never before had I encountered anyone stopping because they were full. In my house, growing up, you finished what was on your plate regardless. You were grateful. You had vague notions of starving children somewhere. You especially finished pie!

This was a monumentally earth-shattering, life-changing concept for me, I can assure you. In front of me was Penelope, not an ounce of fat on her, politely putting her fork down because she was full. In my mind I saw my family, many of whom (including myself) either on a diet or about to be on one, always finishing what was on our plates. I understand this is a very small sample size and a very unscientific way to draw a conclusion, but I saw that the person who put down her fork when she was full even if she was eating pie was by all appearances healthier than the people I knew who put down their forks only when their plates were empty even if they were full.

I won’t lie. I had a hard time throwing away Penelope’s uneaten half. No chickens in my life then, nothing to do but throw it away. But another thought occurred to me. Penelope was listening to her body in a way I had never done, never thought to do. Her body was telling her to stop, and she listened. I had always listened to my mind, to the words that had been said to me so often: Finish what’s on your plate. Period. No conditions here. No if’s. Just finish. It’s wasteful if you don’t.

But (I now thought) if my body is telling me I don’t need it, if I’m full but I eat it anyway, isn’t that wasteful too, in its own way? Isn’t that asking my body to waste energy doing what it wouldn’t have to do if I didn’t burden it with food it doesn’t need?

Thus began a profound shift in my thinking about food. I still didn’t like having to throw away the half piece of pie, but what if I had given her a smaller portion to begin with? What if I had not assumed what her portion would be and had perhaps asked her how big a piece she wanted? (This too was a foreign concept – a piece of pie had a size, a set size. You didn’t mess with these things.)

What if I had asked her? She might have said Just a sliver please. And there would have been no pie in the trash.

What if I asked myself? What if I thought about my own portion instead of robotically taking what seemed a normal amount? What if I thought about, gave even a few seconds thought to, how hungry I actually was and adjusted my portion? What if I listened to my own body?

I had a full course load that semester in college and was working three different part-time jobs. It was a lot of juggling. And now one more thing to think about, one more thing on my plate! I can’t say this experience brought about an immediate change for me – old habits die hard – but Penelope taught me a great lesson that slowly worked its way into my own eating patterns. Sadly, I lost track of her after graduation and therefore can’t thank her for the part she played in helping me be more reasonable about food. But I wish I could.

Inflatables, Ibises and a Swiss Cheese Plant

There are many things in this life that I will never understand. Blow-up lawn ornaments are one of them. Last week while in Lowe’s I could not help but see the selection for sale on the very high upper shelf in the – you got it – lawn care department.

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They have two dragons, one black cat looking evil (as evil as plastic can look), orange-rimmed eyes and something next to the purple dragon on the end that I cannot figure out. On another shelf they have a pumpkin carriage, a black spider (widow, no doubt), a haunted house and a green ghoula monster.

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The one that greets you – just imagine this in your neighbor’s front yard! – is this:

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Every town in America, sometimes every neighborhood, has at least one house with a variety of such “decorations.” It seems that Halloween is strongly vying for the #2 spot behind Christmas, when all manner of inflatable Santas, reindeer, snowmen, grinches, polar bears, nutcrackers, penguins and even nativity sets adorn front yards.

I have decided that I don’t have to understand or even appreciate everything. People have different eyes, different sensitivities, different preferences. Sometimes I go into a store and think: Who buys this stuff? But people do! And it’s not only what people buy. It’s the music they listen to, the foods they eat, the things that strike them as beautiful. It’s what they see, what they like, what they remember, what they want more of.

Some people will not look at Louisa’s gourds and think How beautiful! as I did when I saw them in August still hanging on their vine. Isn’t the shape magnificent? Traditionally, because a gourd’s shell will become as hard as wood, they have been used for bottles, dippers and musical instruments. People paint them, carve into them, display them. I am content and delighted to look at them hanging from a vine.

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Some people will think Coco, the little black pug I get to laugh at every day, is ugly. I did. For a long time. Curiously, I also thought she was cute. I’d say How can a dog be ugly and cute at the same time? But now I don’t think she’s ugly. She wiggled her way into my heart and now I think she’s beautiful. Yes, beautiful! And still cute. I call her Cutie Pie.

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You can put a bunch of pillows on top of her and she will still just look at you like What? Is there a problem here?

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See her in there? She doesn’t care!

You can put her on the rooftop of the chicken coop’s brooding box and she will not care!

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There are a lot of things that strike me that someone else might walk right by. I am drawn to form, pattern, color, character, authenticity and uniqueness with a curiosity that I suspect will never quite be satisfied. Last week this MO was confirmed in Galveston, Texas, at a place called Moody Gardens. Their “rainforest” is a bit imposing from the outside – a tall, glass pyramid amid lots of palm trees (this is not Virginia!).

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Inside I marveled at the patterning on this fish’s back. Do you think every one of its species has a different “fingerprint”? It’s like a maze, like the corn mazes people walk through or the ones in activity books that challenge you to get from Point A to Point B. Do you suppose there’s a way through this one?

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I don’t know what these birds are called, but there they were, right in front of us, looking as perfect as if they had been manufactured in a factory according to detailed specs.

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The shape of the one that sat so still, its distinct all-black and all-white sections so crisply divided, its unblinking eye with no shadowing, no lash, no imperfections – she’s amazing, but she doesn’t know it.

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The gorgeous color of these scarlet ibises is like something off an artist’s palette. What do you even call that color? To me, scarlet isn’t the word you want. But the birds don’t care what you call them.

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They freely walk around, seemingly oblivious to the humans observing their skinny legs, their outstanding posture, their disproportionate beaks. Why do those beaks have to be so long? Perhaps their food lives deep in the mud at the bottom of the pond?

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I have to admit that the color of the palm viper is extraordinary, but I did not stare at it for long. The coils, the gleam, the idea of what it is capable of sent me on my way even though it is behind glass. I think people must be innately repulsed for good reason!

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Onward!

I do not want to be the one who feeds the mantas, but it was quite something to watch! The man who does this has been feeding them for five years! His hand is inside the glass.

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How amazing is the patterning of this branch of the “rain tree”? It grows that way without any help from a computer program! Notice though that it’s not perfect. Some leaves are missing. If a person made this, or a program constructed it, you can bet that all the leaves would be there.

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Seen from below, with the sunlight framing it, this branch is to me even more amazing.

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The Split Leaf Philodendron or “Swiss Cheese Plant” is just plain funny! What reason could there be for the naturally-occurring holes in the leaves? To get more light to the leaves below it?

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On the sign in the lobby at Moody Gardens is a Kenyan proverb that says: Treat the earth well. It was not given to you by your parents. It was loaned to you by your children.

To me this says more broadly: Keep your perspective. Be careful. Pay attention.

It gets me thinking about what an incredibly diverse and fascinating world we live in. All too often we get caught up in the everyday issues – bills to pay, things that break down, people who disappoint us. We forget to take notice of the miracles all around us all the time. Without our usually noticing it, there’s beauty: someone’s smile, the color of flowers, the rays of sun making speckled shadows. There’s growth: we don’t struggle quite as much with something as we used to, our work yields more satisfaction, our cooking is more delicious than ever! And there are simple and complex systems in every corner of our world that actually, consistently work! The lights go on when we flip the switch, fresh and wonderful food from around the globe is available in our stores, the mail arrives! Much as I will never understand it, even the inflatables in people’s front yards at Halloween and Christmas give (some) people something to smile about.

Besides all this and a thousand other things, there are plants in the world that look like swiss cheese! Just for fun maybe?

Take a moment today to look around and think about what you normally take for granted. You don’t need to make a list (though mine is very long!) but I think if we all spent a bit more time being grateful for what we have instead of lamenting what we don’t have, if we celebrated the good instead of bemoaning the bad, if we channeled our energies toward gratitude and service instead of anger and greed, think what the world would be.

A is for Applesauce

For as long as I can remember, I have made applesauce come fall. It’s a signal of the season change, when my best descriptor of the air is “crisp” and my thoughts turn – without intention – to hunkering down and getting ready for the colder, shorter days of winter. It’s fundamental to our primal instincts to get ready for scarcity of food, even if we don’t have to worry about that at all. Applesauce is one of those pure foods that’s good warm, cold or icy, all by itself or next to a slice of pork roast or a potato pancake.

It’s simple. You wash the apples, cut them up, put them in a pot with a little water, let it cook down, press it through a strainer, add some cinnamon if you want, and enjoy! I’ll take you through it step by step.

Amazing apples make amazing applesauce, so start with apples as fresh and crisp as possible and as local as your location allows. I am fortunate to live 20 minutes from a well-established and super impressive family farm that specializes in heirloom apples. https://www.albemarleciderworks.com/

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One day last week I happened to be going right by there, so I stopped in for 40 pounds, my usual portion when applesauce is the goal. (Forty pounds fills three canvas shopping bags a bit more than half full each, in case you wondered.) Normally Albemarle CiderWorks has five or six long folding tables set up along the outside wall of the barn with a box of each kind of apple, one after the next, in a long row on the tables. (There’s a good photo on their web site showing this.) They have small paring knives and paper plates and descriptions of each apple set out in front of the boxes, so that you can sample them and decide what you like best.

But last Thursday it was raining and all the apples were in cold storage. I was escorted into that living-room-sized refrigerator and chose fast! Cold storage is cold!

Different apples are picked at different times, and different apples are best for different purposes. Applesauce naturally comes out best when you use apples that are best for cooking. For me that means they are very firm and a bit tart, which is as technically descriptive as I can get. Last year I got one called Black Twig that was extraordinary, but it comes late in the season and was not available yet. Virginia Gold and Liberty looked good to me in the ten, very cold seconds inside the fridge that I allowed myself to contemplate this decision, and the woman helping me confirmed that they would make great applesauce. Pack ‘em up! Done! Homeward I drove.

Yesterday, following too much rain this past week, the ground was too wet for the final grading in front of the house, so we thought maybe it would be a good time to get the oak clapboards on the coop. That job has been sitting all summer on the back burner while we waited for the wood to be milled and got involved with other things. We had barely started measuring and cutting boards when raindrops came again, so we turned our attention to the basement, more specifically to making order in the basement. A lot of stuff got moved to clear the space in front of the interior wall of the foundation that needs repair, and that stuff had been put here, there and everywhere. It took a couple hours, but all is decently in place now. A bunch of stuff is in the trash.

Then it wasn’t raining anymore, and the coop siding beckoned still. But before heading out, I decided to get the applesauce going. Look how beautiful they are in my sink.

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I rinsed them off and stared at them a bit, admiring their gloss, their unique colorings – every Liberty with slightly different transitions from reddish to greenish, every Virginia Gold with different splotches and spots of brown. I have to admire them before I cut them up. It seems the respectful thing to do.

But once you start cutting, you just cut. The little ones you can quarter, the big ones in sixths or whatever is quickest. Seeds and skins stay; stems go in the compost or trash.

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I can’t be overly specific regarding quantities here because it’s entirely up to you how much applesauce you want to make. Take out a big pot (I used my five-gallon pot) and put about half an inch of water in the bottom of it. Put your cut-up apples in the pot until you can’t fit any more. Mine looked like this.

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Cover the pot, turn on medium and walk away. Go read a book or put siding on the coop. With the lid on top and the water in the bottom, those apples will just steam and get soft. After about an hour I took a break from the siding and checked on them; mine were doing what they are supposed to do: reducing in volume, steaming away, looking like this.

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Yours might take a little less time if it’s a lesser quantity. (What makes me think that not everyone is going to fill a five-gallon pot? You can make a smaller amount, but after you taste it, you’ll wish you made more!) The apples need to cook down slowly, and all they need is time and heat. Give it a stir at this point if you want, but it’s not the end of the world if you don’t.

After about two hours it reaches the point of mushiness where you can easily stir it with a wooden spoon and make mash by doing so. By this time the aroma of apples fills your home and you wonder why more people don’t cook.

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See the mash around my spoon? With a few more stirs, it all looks like that and you can spoon it into the strainer that you have set up in a bowl.

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Except for the skins and seeds, it’s applesauce now. Why not just peel and core them before cooking them? You can, but that process is tedious and time-consuming, and you lose more of the flesh of the apple that way. I do not have that kind of patience, much as my chickens would love the extra apple they’d get. And these apples are precious to me – I want as much of them as possible going into my applesauce.

Now all you have to do is press the applemash through the holes of the strainer with the back of a spoon. A Foley food mill works well for this too, if you have one of the older models. I found the newer ones problematic and more trouble than they are worth. My sister Lynn loves her Foley food mill; if I still had my old one, I’d probably love it too. But we get used to things one way or another. See what works for you.

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Note that the holes of my strainer are not super tiny. They are big enough for the sauce to go through pretty easily, but not so big as to allow the seeds through. Every now and then scrape the underside of the strainer.

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I discovered quickly that my bowl was going to fill up too fast, so I switched to using my Dutch oven as the bowl underneath. Then when the level of the applesauce reached the bottom of the strainer, I transferred the applesauce to the bowl.

Keep pressing applemash against the sides of the strainer until all you have left is skins and seeds. It will look like this.

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Scrape out the seeds and skins from the strainer into a separate bowl (this is great for your compost or your chickens!) and start again.

With the quantity I made, I added cinnamon each time the bowl became full (instead of waiting till it was all strained through and then adding cinnamon). Now that I think of it, I suppose you could put cinnamon sticks in the pot with the cooking apples, but oh well, maybe next time! I can’t tell you exactly how much cinnamon to use. It’s like salt and pepper: Add what seems right to you. I used about two teaspoons per three quarts of strained applesauce.

I love the swirl of the cinnamon getting stirred in.

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You can put your applesauce in a container and put it in the fridge to eat soon, or you can put it in mason jars and can it in a hot water bath, or you can freeze it. I think freezing is best. It’s easy and allows for icy applesauce at some point down the road.

Quart-size ziplock bags work great. If one person holds the bag open and another person spoons it in, that’s ideal. If you are by yourself, try putting the applesauce in a large measuring cup with a pour-spout or a small bowl with the same, and holding the bag with one hand and pouring with the other. A wide-mouth funnel can be good too. You can also freeze in jars as long as you allow a good inch or so of air space for expansion, otherwise the glass will break. (And you don’t want that!)

I had filled my five-gallon pot to overflowing with cut-up apples and ended up with about ten quarts of applesauce and three cups of seeds and skins which my chickens enjoyed tremendously. Always keep a little out for enjoying fresh.

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Oh, and if you think your applesauce is too watery, just cook it down a little more after you’ve removed the seeds and skins. That’s how you get apple butter – it’s just way-cooked-down applesauce. It might take another hour or so to cook down. Turn off the heat when it’s as thick as you like. In the meantime your house is blessed with apple aroma again! Some people add sugar too, at the end. That’s your call.

For those who are wondering how you get icy applesauce, just thaw one of your frozen bags or jars to the point where you can break the applesauce apart with a fork. Stir until desired smoothness. Oh yum!

And the coop — I love the siding! Claudia calls it a chicken castle! More on that soon 🙂

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Not-Your-Average Cultural Exchange

I know there are people in the world who would feel, as I do, a twinge of sadness the day after a storm splits the gigantic chrysanthemum.

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Or who wish they could wander out to the garden to pick fresh oregano and purple basil for the homemade pizza about to go into the oven (see the basil in the box behind the rosemary?). Or who would like to make applesauce together from freshly picked heirloom Virginia apples. I suspect there are people who have some time – a few weeks or a few months – to explore a corner of the world that is surely different in some ways than their own and who wonder about my corner of Virginia.

I’m thinking this is Not-Your-Average Cultural Exchange.

There’s always something going on around here: planting, harvesting, building, cooking, baking, (eating!), trying, creating, discovering, resting, marveling, playing, listening, digging, watching, learning, discussing, fixing, pondering.

There are my various gardens with herbs, vegetables and perennials. I’ve moved the azaleas in between the crape myrtles in front of the fenced garden. Turns out, the neglected bush that just got dug up in the front corner of my house was actually two bushes. This photo shows them moved, with their fresh dirt around them, but not yet trimmed, staked or mulched. I did that later in the day, after taking the photo. I had to take the photo when I did, and you see why. I did not ask little Coco to park herself there to enjoy the sunshine…

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We have got to do something about the blackberries that are going crazy inside the garden, and the tomatoes could be pulled and winter crops planted. The asparagus bed is none too tidy, begs for attention. One of the rudbeckia got smashed somehow and needs a little love. The front yard is a mess from the recent Big Dig, but soon we’ll be pouring footings and building a nice front porch.

My two custom-built chicken coops provide palatial accommodations for 29 interesting (some bordering on ridiculous) chickens. They need new mulch or straw when they’ve scratched through what we put down before, but they give lots of amazing eggs to make good food with! My lone araucana isn’t laying her greenish eggs any more though – could there be a reason? This black copper maran had a face-off with Coco yesterday. Both have curiosity, but the chicken less so. She just wants to get back to scratching in the straw. A white silkie came toward us to investigate.

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When the sun rises on a day with too much cloud cover, and it can’t quite get its rays to stream through the giant trees in my back woods, there’s always an otherworldly feeling and sometimes a glorious mist that sparkles on the leaves or in the air.

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When the wind kicks up such that those trees can’t help but engage in a wild dance, it’s a sight. The not-so-manicured trails through the woods are a pleasant walk leading to the beaver pond with its lodge and dam. The beavers keep making their pond a little bigger. I don’t get down there often enough.

When a fox trots in a wide circle around the coops, wishing (you know it!) that there was a way to get to those fat and surely delicious chickens, it doesn’t know how its red fur shines in the sun. When guests stay at my gorgeous Airbnb cottage, they just might see a mother bear and two cubs walk through the yard. A few weeks ago, someone did.

Recently I was in Seattle and met several enthusiastic, capable au pairs. I got to thinking that some people who would like to come to Virginia for a little while (but don’t necessarily have a friend here already) might prefer a household without small children, and might prefer a country setting. They might enjoy getting to know the plants that grow in this climate, or the way we lay decking boards, or the vibe of downtown Charlottesville, fifteen minutes away. It’s a vibrant university town with great restaurants and shops, exhibits and lectures, sports and music events. The Presidential homes of Jefferson, Madison and Monroe are all within half an hour’s drive.

Over the years I’ve had short- and long-term visitors many times and would love to share my little piece of the world with some new friends. If you are thinking it’s a good time to do such a thing and have a little interest, you can let me know.

Brilliant Sheepdogs, Clueless Sheep

The next time you think you are up against an impossible task, compare it to getting three sheep to move through a series of obstacles on a 25-acre hillside. Sheep are not the brightest animals (clueless is the word that comes to mind), but the border collies that guide them through this competitive course are brilliant, fast and oh so determined to be successful.

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It isn’t every day you get an “open” trial of the US Border Collie Handler’s Association practically in your backyard. When you do, you go see this amazing spectacle. Tracy and I drove about ten miles to Edgeworth Farm, knowing almost nothing about sheepdog trials except that it involves sheep, dogs, a person giving commands (whistle and voice), a great big open space and some sort of timed challenge.

It’s a challenge all right. We stood looking out on a huge field that is roughly triangular in shape, in the middle of one flat edge (at the bottom of this drawing)  looking toward the far point that was more than 400 yards away. That’s where the sheep start (the xxx at the top). I am not going to get a prize for drawing, and there are surely inaccuracies in this, but the obstacles and the route the dog has to take looks about like this.

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The dog starts with the handler at the dot near the bottom, opposite the three sheep (the three xxx’s at the far opposite end of the field), a spot called the outrun. The dog has to run around to the left toward the outrun, approach the sheep from behind, “lift” them (get them moving in the right direction), then make them go through the middle “fetch” panels that are seven yards apart, veer around and then up through the “drive” panels, go across the field through the “cross drive” panels, go toward and then through the “Maltese cross” from one specific entry point all the way through (they are not allowed to go out the sides of the cross), then into the pen. The dog does not have to close the door of the pen; the handler does that and also can help guide the sheep through the cross.

The sheep do not want to do any of this. Therefore please also note: My lines are relatively straight, but the sheep zig-zag all over the place, and the dog zig-zags behind and around them constantly. The sheep clearly have absolutely no idea what’s going on. They just want to go home, back to the barn, back to the food, back to the safety of their many other comrades who, unknown to them, are also three by three having to go through this same inane exercise.

Oh and by the way, this whole course is 12 minutes!

A very nice man named John stood next to us, also watching. His wife is a handler so he goes to these competitions all the time. The way he explained it, there are two main things to know about sheep. 1. Sheep assume safety in numbers so they stick together. But that doesn’t mean one of them might not “squirt” (his word) and separate from the rest randomly. 2. Whichever way the sheep’s head is facing, that’s the direction they are likely to move, so the dog has to get them facing the right way.

In this trial, the dog had to keep all three sheep together throughout the course. Sometimes, in other competitions, one or more sheep will be marked with a bandana or something, and the dog has to purposely separate that one or two from the rest and then get the unmarked group to go through the panels or into the pen.

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The photo above shows the dog and the sheep approaching the fetch (middle) panels and gives you an idea of how huge the field is. (I am not using a zoom lens.) You could barely see the sheep up near the trees when the dog was first released from the handler at the beginning of the trial. That black and white blob above the right-hand panel is the dog and the white blob in the middle is the three sheep, all clustered together, surely wondering what on earth they are doing running down this field and why this annoying creature is pestering them to do it!

John said the sheep are constantly deciding which is worse: the annoying dog always behind them that won’t leave them alone (so they continually try to get away from it) or the scary obstacle (gate, pen, etc) that the annoying creature is trying to make them approach and go through or into.

Next time you have to choose the lesser of two evils, remember these sheep! You can see them eyeing the “Maltese cross” with great skepticism (below), but that bothersome dog is still behind them. Why won’t it just go away??

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The dog has to sometimes coax, sometimes drive, sometimes wait. The handler whistles or shouts voice commands but can’t do that too much. Until the dog gets to the cross with the sheep, the handler stays at the starting post issuing commands from there. The whole thing is not only timed, but point-based. Each obstacle is worth a set number of points. Getting the sheep through the fetch panels – from the starting point (the outrun) through the first (middle) set of panels is worth 20, for example. It is not only getting them through that matters, it’s how the dog gets them through.

Didn’t your mother always say: It’s not what you do, it’s how you do it! or, It’s not what you say, it’s how you say it!

The rules are specific, though with a good bit of subjective judging required. Regarding that first part of the course, the USBCHA rules for international competition read as follows:

5.2.3 Lift

  1. At the end of the Outrun, the dog will either come to a full stop or merely slow down.
  2. The dog’s approach should be smooth, cautious and steady.
  3. The dog will take control in a firm and quiet manner.
  4. The dog should not rush in and startle the sheep nor should it lie back and require numerous commands before getting its sheep on the move.
  5. The lift should be smooth and balanced where the sheep move away in a direct line to the first obstacle.
  6. Judges should use their personal knowledge of sheep and sheep dogs to determine whether a lift has disturbed the sheep unduly and mark accordingly.
  7. Judges will deduct points for excessive commands, slowness, etc., at this point of the trial.

Several things strike me while reading through this. First, you try getting sheep to move in a direct line!! C’mon, sheep, you know you don’t want to just stand there. See that nice set of panels? God only knows what’s on the other side of them, but you know you want to go straight toward them and then right on through! Sheep have no idea whatsoever what a direct line is.

Second, “…whether a lift has disturbed the sheep unduly…“ – trust me, the sheep look very disturbed! Why is that infuriating dog behind us all the time??

Tracy and I watched eight or ten dogs try to do this course. Two or three got the sheep through the first (fetch) panels. One of those got the sheep through all three sets of panels (fetch plus drive plus cross drive). ONE! (This shows the “drive.”)

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One of them (a different one) got the sheep to go through the cross (in the right entry point and without squirting out the sides). One of them (yet another) got the sheep in the pen at the end. This is hard!!! The sheep don’t want to go in the pen! Damn dog! Make it go away!

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These dogs — and the people who train them — are remarkable. It struck me as its own world, a community of people and dogs who love this challenge, who work tirelessly to outwit and overcome the small-brained decisions of a bunch of sheep. It was highly entertaining and I’m sure is very hard work. The dog tries so hard! The sheep are so dumb! And when it works, when the smart, fast, skillful dog causes the dumb, jittery, unpredictable sheep to go where they are supposed to go, it’s so exciting, you cheer! Well, you quietly cheer because you are in such awe. You wouldn’t want to disturb the dog’s concentration or add any random noises that might add confusion. It’s hard enough!

One Bag Only

I did it. I gave in. I packed a medium flat rate box and will ship it to my home from Sugar Land, Texas, tomorrow.

On this sixteen-day trip I flew from Charlottesville to San Francisco, from San Francisco to Boise, from Boise to Seattle, from Seattle to Houston, and tomorrow from Houston back home. I chose to fly the cheapest way possible, using the new option to take only what can fit under the seat in front of you. One bag, one bag only. Everything I need for sixteen days in various climates has to fit on my person or in my bag and under that seat. (It was 47 degrees when I left Seattle. At 10:06pm it’s still 82 here in Sugar Land.)  I like books. I brought two along. I won’t lie. My shoulder is not happy. It might be somewhat bruised from the weight I carried each time.

Everything was fine – all the airlines let me through with my one bag plus my purse — until the most recent leg to Texas on United. I get that the airlines have to generate revenue however they can, and capping the carry-on max so that they can charge for overages is one way to do it. I get that I should not have bought slippers in Berkeley or a book at the de Young Museum in San Francisco or allowed my daughter to give me two other books in Boise (though I left one of mine with her, the net result being four books instead of two). I get that my laptop is huge.

I put everything in my striped canvas bag that zippers across the top. It zippered without my having to pull it closed this last time, meaning there was room for more, right? I love this bag, but one of these days the zipper will fail or rip out. I have asked a lot of this bag over the years.

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I put the new slippers, my lunch and the book I planned to read in the plane in a small blue canvas bag (which worked better than my purse for these items) and walked up to the kiosk at the Seattle airport to get my boarding pass. They do not even let you check in via your mobile device when you have these cheapo tickets because they have to make sure you meet the luggage requirements.

The lady at the kiosk was skeptical. You have two bags, she said. This one just has my lunch and a few small things that will fit in the big bag, I said. She asked me to show her that my bag fit in the slot designated for poor travelers like me. It did! I smooshed down the top a little to show her there was room for the other stuff. They won’t let you through if everything is not in that bag, she said. You’ll have to pay $50. You might want to put your lunch in your pockets.

I did not like the stress. Never again, I said to myself. I’ll use a real carry-on like other people next time and pay for the privilege. But for now I was stuck, and you can bet your bottom dollar I wasn’t paying $50! But, yeah, getting that stuff in and getting the bag closed again without busting the zipper would be a trick. I might be able to do it, but it would be a squeeze to then get the bag under the seat, and anyway I had a better idea.

Already, to make this work, I was wearing two shirts, two sweaters, my scarf, my hat and my raincoat, so I figured Why not just wear more? There was no ladies room near my gate so I couldn’t do this as privately as I would have liked, but I stuck the slippers, side by side, into the waistband of my pants in the back – under the shirts, sweaters and raincoat – and the book into my waistband in front, under the shirts and the non-cardigan sweater and the scarf.

I just became a larger person temporarily. Lots of people are larger than I am. They get on planes.

I put my cell phone, my apple, my bread and my cheese in the pockets of my raincoat, got on the line (last boarding group, of course) and sailed through the checkpoint with my green striped bag over my shoulder and nothing else but the boarding pass in my hands. When I got to my seat near the back of the plane, I rearranged my weight. The slippers went back in the small canvas bag along with my lunch, and I sat and enjoyed my book.

(Outstanding book, by the way. Educated by Tara Westover. I will come back to this one of these days and tell you more about it.)

I left the plane with my green striped bag in one hand and my little blue canvas bag in the other. No one cared.

I have not bought anything in Texas to add to the problem, though I was sorely tempted today in Galveston to buy one on the 1900 hurricane, sorely tempted! Nonetheless, we stopped at the post office to get one of those flat rate boxes because I am not going through that stress again. I put all the books but Educated in the box, along with anything else that fit. I stuffed it full. It will cost me $13.85 to send home. I will be so relaxed tomorrow with one bag only!

Pumpkin Comfort

I have never before thought of pumpkins as comforting. They are not cuddly, adorable or delightful bundles of energy like my darling grandbabies. They do not talk me through struggles like a good friend or warm my insides like a good cup of tea. But traipsing through a patch of these characters this past weekend reminded me of another facet of comfort, one that pumpkins embrace wholeheartedly: With all the changes in our world, it was good to see that pumpkins are still mostly orange.

Duh.

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No, I mean it. For those who play with genetic modifications, it must be tempting to make a purple pumpkin or a red one, or to elongate them like way-overgrown zucchinis, the kind that hide under those big leaves and you don’t find until they are as big as a baseball bat. Someone must be working on a seedless variety that will revolutionize the ritual of pumpkin-carving – imagine if you could draw the scary face on the side and be able to cut into it without having to deal with all those stringy, slimy, seedy guts that insist on adhering to the inside flesh?

Lots of things change in this world. They change at an astounding rate. Isn’t it nice to know that some things stay the same? There is comfort in sameness. Sugar is sweet. Rain is wet. Pumpkins are orange. All right, mostly orange. There are a few renegades in every group.

In Snohomish, Washington, we found a wonderful 40-acre pumpkin patch at Bob’s Corn and Pumpkin Farm. Bob’s grows corn and pumpkins, yes, but they seem to make their money (or at least a fair share of it) on people wanting to come and play amidst corn and pumpkins. They have newfangled, farm-themed tire swings

 

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a “trike track” in one of the barns with lots of little tricycles in many sizes

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a gigantic John Deere for climbing into, tubes to slide down, all sorts of yummy fall treats to indulge in (and take home) and a ten-acre corn maze with firepits and private areas for group gatherings. We will come back to the pumpkins, but for the moment, look at the aerial view of the maze and think about this.

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Their web site says, “We have a total of 18 firepits inside the maze which can be rented for private groups and birthday parties. We provide the firewood and tiki torches. We even build and maintain the fire for you, you get to sit back, relax and enjoy the evening.

“Bring your roasting sticks, food and supplies. Leave them at the group check in area on the north side of Bob’s Country store, and we will transport them to your firepit so you don’t have to carry them through the maze.

“When you are finished, leave them at your pit, enjoy the second half of the maze. When you return from the hayride, your supplies will be waiting for you in the group check in area on the north side of Bob’s Country store! How easy is that??”

I want to know: If there are 18 firepits within the maze, how do you find the firepit that has your name on it or that has been otherwise designated for you? Or do you just land at one and let them know you have arrived, and then they bring your stuff?

Wondering about the firepit protocol happened fleetingly for me. I saw the three staff members at the entrance of the maze (a fraction of the total work force present on the day of our visit), heard them telling some other visitors about this opportunity, registered the comments, thought “wow” and promptly transferred my attention to the forty acres of pumpkins next to the corn. Bradley and Piper and I explored a small part of it. Apparently there are 60+ varieties of pumpkins here.

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You have your Classics, and lots of these. They have smooth skin with longitudinal valleys, as if each pumpkin has its own special time zones. The ones we saw were not monster size, but maybe up to about 25 pounds. They are perfect for carving and setting on doorsteps, lots of different sizes. Bob’s gives you a wheelbarrow, by the way, for hauling your picks. I expect they have strong people who will put them in your barrow for you if you want, and probably then in your car.

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You have your Brights. Perhaps a gen-mod engineer had a little fun with this one (below)? It not only leans toward neon but also is rather flattish.

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You have your Gnarlies here and there.  Okay, maybe there’s more genetic modification going on than I thought at first. Just how do they get the green warts?

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I get that Bob’s wants to mix it up a little, so they throw down some seeds of these crazy kinds. This one has yellow warts, making the orange rind seem to veer toward the yellow end of the spectrum.

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If you showed the photo below to a hundred people, I think you would be hard pressed to find most of them saying quickly and definitively, “That’s a pumpkin.” Beth said it looked like a monkey’s butt. It is another orange that is desperately trying to be yellow instead. Just to stand out. You know how pumpkins can be.

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Most of the yellow ones turn orange eventually, the way you can see this green one on its way to becoming orange.

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Real pumpkins, big orange pumpkins, are comforting not only in their sameness. Think about 40 acres of pumpkins – what is going to happen to most of them? For a few weeks, some will decorate entryways, tabletops, fence posts, schools, hotels, stores and offices. Some will become jack-o-lanterns a day or so before Halloween. A few will become delicious pie – but not many. I wonder how many never leave the field they grew in. Think about what pumpkins say about the abundance of food in our land, that so much space can be given over to a crop that provides such a small amount of actual food value. How blessed we are.

A row of pumpkins anywhere, but especially along a cider donut stand, is one of the joys of fall. Maybe you’d like one of Piper’s donuts? Too late! All gone!

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Ela’s Apple Star Bread

I love learning something unexpectedly. Today I helped Ela make a beautiful, sweet, cinnamony, apple bread that is formed in such a cool way!

Ela was my granddaughter Piper’s German au pair from the time Piper was a few months old until this past January. It says a lot about their relationship that she would choose to spend her vacation here in Seattle with the family. I was delighted to finally meet her. This is Ela with Piper yesterday when we went to Bob’s Corn and Pumpkin Farm in Snohomish.

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Ela is not only Piper’s fun friend, she is a great baker! Her apple star bread was devoured after dinner tonight. We all were anxious to dig in. (It’s a pull-apart bread, thus the forks.)

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That shape was so fun to make. I have to show you how it was done. Her recipe might be a little hard to read.

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It says to combine 4 cups flour, 2/3 cup sugar, a package of dry yeast and a bit of salt (say half a teaspoon). In a small pan combine ¾ cup milk with 2 tablespoons butter until just warm. Add the milk, butter and 2 eggs to the dry ingredients. Mix and knead. Ela let the beast of a mixing machine that Brad and Beth have on their counter do the kneading.

Then, and this is the part she says her grandmother always did, put the dough to rest in bed! You read that right. This lump in the bed is hiding the bowl.

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Yes, underneath that lump, deep within the warmth of the bed, is the dough. Ela left it there for a few hours, all covered up.

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While the dough is resting, cut two apples up in small pieces and put them in a saucepan with two cups of sugar and 1 tablespoon cinnamon. Turn on a medium heat and cook until it’s bubbly, like this.

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Cook down until you have a sugar syrup that drips off the spoon like this.

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Do you see how it holds its shape in mid-air? It should do this a few seconds before falling. That’s what you want.

Divide the dough in four parts. One at a time, roll out each quarter of the dough into a circle. Ela put plastic wrap around the board she was rolling on to keep the dough from sticking, then put a piece of waxed paper over it, like this. You want each layer of dough as thin as possible.

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Transfer the dough to a large piece of parchment paper, which we didn’t have. Parchment would have been better because you can more easily cut on it, and there is cutting required later. You shouldn’t cut on silicone mats. Ela put two mats together and placed them directly on the oven rack. She cut very carefully when the time came for cutting.

So, first layer, then spread apples.

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Keep adding spoonfuls of the gooey, sticky apple mixture until the layer is covered.

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Do layer after layer until you have dough-apples-dough-apples-dough-apples-dough.

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You’ll have to press a bit to get the layers to stretch to the edge.

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To make it easier for cutting, we carefully slid the ensemble back to the wooden board she rolled the dough on. Ideally, put this in the refrigerator for an hour or so. It would make the cutting part much easier.

Ela then found a bowl that was as big as the ensemble to give herself a template for cutting a circle. You want as little waste as possible.

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She then (carefully!) cut through the layers of dough until she had a circle. You are going to have leftover. These sugary dough bits look a mess, but just put them in muffin tins and let them rise just the same as the bread and they will taste very fine (not altogether different than the monkey bread we made last week!).

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Ela then found a small cup (a shot glass is about the right size) for the center.

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She then started cutting again (carefully!), first four lines, starting at the cup and working outward.

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Then eight, rotating the board to make it easier.

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Then sixteen. That’s when she took the cup away.

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Now for the funnest part! Take two pieces that are side by side, lift them, twist once,

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And again. You make two full twists.

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And then pinch the ends together.

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Do this all around until it looks kind of like this.

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How beautiful is that!! Ela cleaned up as much of the excess sugary syrup as she could with a paper towel, but when it bakes, some of the sugary syrup is going to leak out anyway. Do the best you can. Let the star rise/rest (not in bed this time!) about an hour, longer if you need to time it so it comes out right as you finish dinner. This is best warm out of the oven. The syrup that leaked out forms thin candy which looks almost burned, but isn’t quite.

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Well, maybe part of it is. If you pull a piece of the star off the pan carefully, it looks kind of like a lobster with claws.  Zach had the best lobster. We all enjoyed this star bread very much! Thank you, Ela!

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